A Review of Emeka Ossai and How He Preys on Self-Publishers and Authors

During a recent search on YouTube while trying to find information on how to sell my self-published books, I came across Emeka Ossai, a charismatic young man originally from Canada who now lives in Mexico (I believe). In my opinion, Emeka is the last person you should spend your money with, if you take writing seriously.

Emeka does a series on YouTube on how he lives a passive income lifestyle through publishing on Amazon. He claims that he wants to help other authors reach the same success he has, and to do this, he offers some free guides and courses the author has to pay for.

During an email conversation in which I confronted Emeka about the errors in his free guide, he wrote, “Why do you think I don’t write my books? I’m not an author, I hire people (ghostwriters) to write my books for me and I publish them under pen names. I’m a publisher not an author.

Summed up, this is Emeka’s business plan that he sells to self-publishers: hire a ghostwriter from Upwork or another site, publish your book with great keywords and swap reviews with other writers and sell your books. Basically, if you’re a serious writer like me, Emeka’s course isn’t for you. His course is for people who want to make some quick cash by publishing something they got from someone else.

Not to be misunderstood, there’s nothing wrong with hiring a ghostwriter. But when your goal is to use double-talk like Emeka and prey on self-publishers, it’s wrong.

For instance, in my recent emails with Emeka, he claimed to have published over one-hundred books under various pen names. When I challenged him, he named one book that I doubt made any money. When I challenged him on this, he wrote, “I already told you that was my 2nd book ever that book is shit.” He then directed me to watch his videos for the names of other books. I watched a bunch of his videos, but I haven’t heard one name of a book yet.

Emeka is all smoke and mirrors. He claims to have had so much success self-publishing, yet there is no proof of it. He gathers self-publishers for his upcoming “annual” Cancun retreat/summit and have them pay a ridiculous sum of money to participate. He claims to have the key to self-publishing success, but he is really just a charlatan using a bunch of videos to entice self-publishers who want to share their work with the world and make some money in the process as they deserve.

Emeka isn’t a “successful” self-publisher. All he knows is black hat tactics and rhetoric. Don’t spend your money with him. Everything he’s telling you, other successful self-published writers like Joanna Penn, Sean Platt and Johnny B. Truant tell you for free, and they can be trusted. Joanna Penn even opens her books to show you her sales.

Steer clear of Emeka Ossai.

Advertisements

Your Manuscript Has Been Rejected. Now What?

You’ve spent 100 million hours writing, rewriting and editing and proofreading your novel and then BOOM! every agent and publisher you sent it to rejects it. Now what?

That question could be a hard one. Some writers would just move on to the next project. Before doing that, I ask, what did the rejection letters say? Were they automated, prewritten generic responses like, “At this time, this novel isn’t for me” or were they personalized rejection letters that cited specific reasons for rejecting your manuscript? Maybe the agent or publisher said your sentences were too choppy or it was hard to connect with your protagonist for whatever reasons or your exposition revealed too much. If any of these specific complaints or any others were cited, there’s still hope.

Earlier last year, my novel Operation Soul Cast¬†was turned down an agent who gave me a personalized rejection letter. The agent told me to cut some of my exposition. I followed the agent’s advice and sent the story out again, and it was immediately picked up by Solstice Publishing. Rejection letters can hurt, but if you get a personalized one, follow the advice or consider the critiques. Whatever issues the agent named, even if you don’t believe they are issues, consider revising. Agents are agents for a reason. They are gatekeepers to the publishing industry and more likely than not, if they complain about something in your manuscript, so will the next agent.

Personalized rejections are gold. Sometimes, they’re only a sentence or two, but within those sentences are keys to getting your manuscript accepted for publication. Give your work a chance. Just because it gets shot down doesn’t mean there’s no hope. It simply means you must work harder on fixing your manuscript. Rome wasn’t built in a day. Neither was the publishing industry and neither should your manuscript be. Invest time and effort in your manuscript, and I guarantee it will be published.

How to Get a Book Deal

Every writer wants to know how to get a book deal, so she can officially be an author. Every writer wants to be the next great American author and sell more book than James Patterson. So, we ask, how do I get a book deal?

Recently, my novella Operation Soul Cast was picked up by a small publisher called Solstice. Believe it or not, getting a book deal is not as glamorous as one may believe. It’s actually a lot of work. 

To this question of getting a book deal, it is not impossible, but it is a science. You not only have to write a grammatically correct book, you have to write one strong in plot and rich with interesting characters. There is no secret formula to getting published. You just have to put your best pen forward. 

Until next time, keep writing. 

#authoruproar #imquerying